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| | new york
architecture walks
Corporate
Park Avenue
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Citicorp
Center
Lexington Avenue between
53rd and 54th Streets, Hugh Stubbins & Associates (design architects),
Emery Roth & Sons (architects) [1972-78] |
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St.
Peter's Church, Lexington Avenue
and 54th Street, Hugh Stubbins & Associates (architects), Massimo
Vignelli (interior design), Louise Nevelson (designer-sculptor) [1977]
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Central
Synagogue 652 Lexington Avenue,
Henry Fernbach [1872]
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Lever
House
390 Park Avenue, Gordon
Bunshaft of Skidmore, Owings & Merrill [1948-52]
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Seagram
Building, 375 Park Avenue, Ludwig
Mies van der Rohe with Philip Johnson (design architects), Kahn &
Jacobs (associate architects) [1958]
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Racquet
and Tennis Club 370 Park Avenue,
McKim Mead & White [1918]
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St. Bartholomew’s Church, Park Avenue
between 50th and 51st Streets, Church: Bertram Goodhue [1919], Entrance
Portico: McKim Mead & White [1902]
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GE Building, originally RCA
Building, 570 Lexington
Avenue, Cross & Cross [1931]
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Villard Houses
, 451-55 Madison Avenue,
McKim Mead & White [1884] Today the Helmsley Palace, Emery Roth &
Sons [1980]
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| The golden alley for American
corporations developed, ironically, over the railroad tracks leading to
Grand Central Depot. Once an open field, the first multiple-dwelling units
were far from first rank. The transformation of Fourth Avenue into
corporate Park Avenue is an amazing story, and was quickly achieved. We
will see how the street is divided into four layers of development, then
we will look at monuments of the 20th Century including St. Bartholomew's
Church, which marks the emergence of an upscale residential neighborhood
in the post-World War I era. Finally, we will concentrate on the Lever
House and Seagrams Building, both icons of the International Style in
America, which used European modernism to create an image for corporate
America. Issues include the impact of the 1961 Zoning resolution on
skyscraper design, the issue of landmark preservation and air rights, and
the changing identity of the neighborhood. |
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