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notes
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Lured
to the project by the client's offer of a high salary and the chance to
build a mile-high tower of steel, stone and glass, the, Columbia
University-educated architect Harvey Wiley Corbett left his position on
the Rockefeller Center design team in order to take up this project in
1928. While construction of this steel-framed structure proceeded through
the Depression, the crash of 1929 ultimately reduced the scope of the
project. The current office block was once intended to be the base of a
mammoth skyscraper, but Corbett's longed-for skyscraper was never built.
Clad in Alabama limestone with marble details and richly appointed marble
lobbies, the vertically striated surfaces and streamlined undulating
masses of this Art Deco building give it a slick if somewhat sinister
appearance.
In 1929, the Metropolitan Life Bldg,
comprising the 1893 12-story construction, the 1909 campanile-like tower
and the 1919 north annex, was becoming too small to house the continual
growing activities of the biggest insurance company. A new building was
considered for the full block site between E24th and E25th Streets,
designed by Corbett and Waid... which missed to be the highest in the
world. The proposed 100-story telescoping tower would have reached a
climax in the mountain-like style, with fluted walls, rounded façades,
like a compromise between the Irving Trust Bldg and the visionary Hugh
Ferriss's drawings. But the 1929 crisis exploded and... was erected only
what was previously considered as the base. From a rectangular pedestal
rise multiple recessed volumes which have the particularity to become
30-degree angled from the 16th floor on each side of the building,
resolving at last in an original dumbell-plan shape from the last setback.
As the magnificent Ralph Walker's Irving Trust Bldg, the new Metropolitan
Life Annex resembles as a complex structure, covered by a limestone-clad
drapery, renouncing to the sacrosanct rigid orthogonal geometry. A
brilliant success. |