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| Top Ten
NYC Architecture |
top ten New York Hotels |
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For a more complete list, see
Hotel |
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| 1 |
The Plaza Hotel
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The Plaza was originally built in 1900 and then was rebuilt in 1907 to
the tune of twelve million dollars when the new Ritz Carlton joined the
other hotels at the turn of the century. The hotel brought elegance east
of Fifth street. "The opening of the Plaza Hotel was accompanied by the
sure sign of the automobile on Fifth avenue in New York."
"The Plaza has been able to maintain its standings over the years. The
Plaza's various public rooms have undergone numerous incarnations. The
large room on the corner of Forty-ninth Street and the Plaza, which was
called simply the "restaurant," assumed various decors as the Edwardian
Room and the Green Tulop, and the Fifty-ninth Street dining room that
served as the office of Jules Bache has become, and Remains, the Oak
Room."
"Finally, the Plaza houses New York's one functioning Palm Court, and it
has a busy day. Breakfasts and salad lunches are served, and no sooner
are the last leaves of lettuce carried away than a violinist and pianist
turn up and a flame is put under the tea kittles and cocoa in the
kitchens. This does not mean, however, that the Plaza has not plugged
ahead into the future. Not only does it provide its guests with closed
circuit television and choice of two movies daily, but troubleshooting
hostesses called "service coordinators," together speaking all of
fifteen languages, patrol the lobby and halls where once private maids
and lackies scurried obediently."
The Plaza Hotel, one of New York city's finest hotels, was
architecturally designed imitating the style of a late medieval French
chateaux. The elegant lobby contains ornamented archways, pillars, and
marble floors. This combined with a usage of the color gold give the
hotel a wealthy, upper-class appearance. |
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| 2 |
Waldorf-Astoria Hotel
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architect
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Schultze & Weaver |
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location
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301
Park Ave., between E49 and E50. |
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date
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1929-1931 |
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style
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Art
Deco |
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construction
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Base is of granite facing, and the upper facade is clad in brick and limestone. |
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type
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Hotel |
Waldorf=Astoria Hotel and Park Avenue with Helmsley Building and Met
Life Building in backgroundThe Waldorf-Astoria Hotel is a famously
luxurious hotel in New York. It has been housed in two historic landmark
buildings of New York City. The first, designed by architect Henry J.
Hardenbergh, was on the Fifth Avenue site of the Empire State Building.
The present building at 301 Park Avenue in Manhattan is a 47-story, 625
ft. (191 m) Art Deco landmark designed by architects Schultze and Weaver
that dates from 1931 and is now part of the The Waldorf=Astoria
Collection, a chain of very upscale hotels consisting of hotels
previously of the Hilton Hotels and Conrad Hotels chains, as well as
some new hotels.
The name, Waldorf=Astoria, now officially appears with a double hyphen,
but originally the single hyphen was employed, as recalled by a popular
expression and song, "Meet Me at the Hyphen."
The modern hotel has three American and classic European restaurants,
and a beauty parlor located off the main lobby. Several luxurious
boutiques surround the distinctive lobby, which has won awards for its
restoration to the original period character. An even more luxurious,
virtual "hotel within a hotel" in its upper section is known as The
Waldorf Towers operated by Conrad Hotels & Resorts. |
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| 3 |
St.Regis-Sheraton Hotel |
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"The public rooms in the St. Regis were relatively small, a subtle indication that the management did not want the crowds that milled in Peacock Alley at the Waldorf-Astoria or in the vast lobby of the Astor in Times Square. On the Fifth Avenue side was an outdoor terrace were one could have refreshments, lost when Fifth Avenue was widened...During the nightclub years of the 1930's the St. Regis had many clubs, attracting for the most part a rather conservative and very well-heeled crowd. Joseph Urban[n], the flamboyant architect, designed the Seaglades nightclub, where Vincent Lopez's orchesta played. During the summer they played for dancing in the Japanese-style roof garden of the hotel," Patterson wrote, adding that the hotel was named after St. Regis Lake in the Adirondacks, a popular resort at the time.
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| 4 |
Sherry-
Netherland Hotel |
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architect
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Schulze & Weaver and Buchman &
Kahn |
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location
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781
Fifth Avenue |
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date
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1927 |
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style
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Art Deco
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construction
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Above the four-story, travertine-clad base,
the building rises as a plot-sized dark brown brick mass until set back
and turned into a tower; above the 24th floor, each floor has only one
apartment. The spirelike top with French Chateau influences houses
the water tower, topped by a perched observation balcony at 173.5 m.
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type
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Hotel |
According to authors Stern, Gilmartin and Mellins, Buchman & Kahn assisted Schultze & Weaver in the design of the Sherry Netherland Hotel that replaced William H. Hume's New Netherland Hotel of 1892, "one of the city's first steel-framed buildings." They also noted that the small lobby entrance is adorned with sculpture panels salvaged from the William K. Vanderbilt mansion that was demolished to make way for the Bergdorf Goodman store nearby on the southwest corner of the avenue at 58th Street. During its construction, a major fire broke out in its scaffolding before its standpipes were functioning, but the hotel was not destroyed. The 570-foot-high, 38-story building was the world's tallest apartment hotel when it was opened and all the floors above the 24th had only one apartment each. |
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| 5 |
Hotel
Pierre |
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architect
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Schulze & Weaver |
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location
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795 Fifth Ave |
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date
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1928 |
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style
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Art Deco |
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construction
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The 44-storey neo-Renaissance tower is set back from Fifth Avenue and topped with an octagonal copper roof at the height of 160 m. The duplex penthouse houses an octagonal ballroom of a capacity of nearly 300, with all-around views and open-air terraces in the corners, although the space is no longer in its original use. |
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type
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Hotel |
At first sight, the Hotel Pierre gives the impression of a nicely detailed finishing Seventeen Century Mansard shooting pavilion that suddenly would have grown from the ground to a 503 feet height. Though finished during the Great Depression eve, the Pierre easily gained fashionable notoriety partly due to the neighboring of three prestigious hotels previously built: the Plaza, the Sherry-Netherland and the Savoy (replaced by the ugly General Motors Bldg). Excepted the upper french pavilion with its steeply sloped copper-clad roof, the main body of the building is not particularly remarkable: a three-stage platform, a series of setbacks surmounted by a tower from which the elevators partly blind the south façade. The first two floors are more interesting with their intrically modeled spaces leaded by three different entries. |
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| 6 |
Hotel
Carlyle |
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architect
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Bien & Prince |
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location
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33
East 76th St., At Madison
Ave. |
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date
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1930 |
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style
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Art Deco
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construction
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yellow brick and limestone |
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type
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Hotel |
The
Carlyle is the Rolls Royce of New York hotels: quiet, stately, elegant,
slightly stuffy and very expensive. Located in the sedate reaches of the
Upper East Side, the hotel has been Old Money's traditional Manhattan
address. But, like all good hotels, it holds just as much appeal to the
locals as well. With its whimsical murals of animals in Central Park,
Bemelmans Bar--named after Ludwig Bemelman, creator of the Madeline book
series--has long been one of the most pleasant watering holes in the city.
Across the foyer is the Café Carlyle, one of the finest cabarets in the
city featuring headliners like Eartha Kitt, Dixie Carter and perennial
favorite Bobby Short. The hotel's French restaurant is one of the finest
in the city, although equally popular is the lounge where diners may have
light meals or high tea. Rooms tend to be on the small side but are in
excellent taste.
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| 7 |
Ritz
Tower |
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architect
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Emery Roth and
Carrère & Hastings |
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location
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109 E 57th St./455 Park Ave. |
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date
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1925 |
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style
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Art Deco
Sixteenth Century Italian Renaissance
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construction
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buff-brick, limestone base. 40 floors,
166.4m (546 feet) high
The base is of rusticated white limestone with Renaissance themes, whereas the tower has a warm-toned brick facing and somewhat more composed decor. The terraces on the setbacks were a novelty at the time and a later-day example can be seen in the next-door Galleria tower.
The top of the building at 166,5 m is set back with ordinary copper roofs and topped with a series of obelisks.
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Hotel |
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| 8 |
Ansonia
Hotel
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Named after Anson Green Phelps, the industrialist and grandfather of the
building's developer, this exuberant Beaux Arts hotel and apartment
building was inspired by French hotels. However, at eighteen stories it
is much taller than its 6-story models. The largest and grandest of the
New York apartment-hotels, it functioned as a place where one could live
temporarily, but in grand style.In addition to the ample apartments, the
Ansonia featured a grand ballroom, several cafes, tea rooms, writing
rooms, a lobby fountain with live seals, a palm court, a Turkish bath
and the world's largest indoor swimming pool. These amenities enticed
many famous cultural personalities to take up residence in the building.
The Ansonia's enormous bulk is somewhat reduced by its complex massing
and its intricate ornamentation. Light courts break up the monumental
facade and allow the maximum amount of light and air to penetrate the
interior.
The Ansonia is typical of the standard of luxury applied to turn of the
century apartment buildings on Manhattan's Upper West Side.
With seventeen stories and 300 suites, the Ansonia is covered with
ornament and balconies, marked by beautifully scaled corner towers, and
topped by mansards in the very best French tradition.
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| 9 |
St Moritz Hotel |
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architect
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Emery Roth & Sons |
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location
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50 Central Park South
Northeast corner at the Avenue of the Americas |
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date
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c. 1929 |
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style
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Art Deco
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construction
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limestone cladding on steel frame |
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type
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Hotel |
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| 10 |
New Yorker Hotel
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architect
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Sugarman & Berger |
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location
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481
Eighth Ave., bet. W34 and W35. |
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date
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1930 |
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style
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Art
Deco |
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construction
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three-storey limestone base, a set-back tower of brown brick |
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type
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Hotel |
The 43-story New Yorker Hotel was built in 1929 and opened its doors on January
2, 1930. Much like its contemporaries, the Empire State Building (opened in
1931) and the Chrysler Building (opened in 1930), the New Yorker is designed in
the Art Deco style that was popular in the 1920s and 1930s. The building's
pyramidal, set-back tower structure largely resembles that of the Empire State
Building, which lies just a couple blocks due east on 34th Street. For many
years, the New Yorker Hotel was New York's largest hotel.
Throughout the 1940s and 1950s the hotel hosted a number of popular Big Bands
while notable figures such as Spencer Tracy, Joan Crawford and even Fidel Castro
stayed here. The inventor Nikola Tesla spent the last ten years of his life in
near-seclusion in Suite 3327 (where he also died), largely devoting his time to
feeding pigeons while occasionally meeting dignitaries. However, by the late
1960s, with both the passing of the Big Band era as well as the construction of
more modern hotels, the hotel slowly lost profitability and closed its doors in
April 1972.
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