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Ladies'
Mile: With R. H. Macy leading the
way in the mid-1850s with a flagship store at Sixth and 14th, and A.T.
Stewart's Cast Iron Palace at 9th Street, Sixth Avenue from 9th north to
23rd is lined with big, buxom Beaux-Arts buildings that catered to ladies
who lunched and then shopped. In Ladies' Mile heyday, over a dozen huge
emporia lined the avenue...but were thrown into shadow until 1939, when
the el was razed. After that, the stores could be seen in all their
glory...which faded rapidly as the years went by as the buildings slowly
decayed. They were in sad shape indeed until, gradually and slowly at
first, they began to be restored in the late 1980s until today, Sixth
Avenue is as busy and bustling a shopping street as it ever was.
The old B. Altman's building was used by
the firm between 1877 and 1906 when it moved to a new store encompassing
an entire city block, 5th to Madison and 34th to 35th, until the store
closed its doors forever in 1989. That means B. Altmans' has left behind
not one but two of NYC's most beautiful buildings.
See also the midtown
B.
Altman Department Store
Built by the Altman family, the presence of
this popular "palace of trade" on 18th Street signalled the
decline of Soho as the city's main retail district. In 1906, B. Altman's
followed the northward expansion of New York's residential area to Fifth
Avenue and 34th Street. An important American entrepreneur, Benjamin
Altman was also a trendsetter in women's fashion. He sold fine fabrics for
custom-made dresses while at the same time he showed off the new
possibilities of the sewing machine with ready-to-wear goods. An
innovative employer and salesman, he provided a number of amenities for
his employees and introduced home delivery to a receptive, more affluent
consumer base. Expanded from a small building adjacent to 19th Street, the
block-long store was clad in cast iron along its Sixth Avenue side with
exposed brick along its three secondary facades. With its thin pilasters
and colonnettes and its intricate cornices, this cast-iron facade is
articulated in the light and delicate Neo-Grec style. Wide ground floor
storefront windows were decorated with sculptures and clothing displays in
order to attract customers. Riding by the store on the Sixth Avenue
Elevated Subway (the 'El' for short), consumers' attention would have been
drawn to the ornate second story-view.

The evolution of a
great city is, on a less titanic scale, representative of the evolution of
the Universe. The same cosmic forces -- aggressive, inexorable -- work in
unison to bring order out of chaos; and as, in the realm of Nature,
mountains, valleys and oceans are evolved by slow and painful processes
from what was originally formless and void, resulting in beauty where
beauty was not -- so the concentrated needs, energies, ambitions and
endurance of a community, fused together in the melting-pot of civic
development, result in the gradual up-building of a vast commonwealth,
imposing in its commercesplendid in its art, magnificent in its
humanitarianism.
The greatness of a city is measured always,
in the minds of men, by its commercial importance. Where the central marts
of business are, there are also to be found all that is most admirable,
because most progressive, in human experience. The world we live in is
essentially a vital world, pulsating with vigorous life. It is a world of
workers; of men who dream great deeds, and do them before the dream is
finished. It is a world in which nothing is too insignificant to merit
man's consideration; no goal too exalted to be beyond his attainment. And
it is the men who have possessed the intuition to recognize these sublime
truths, and the courage to pattern their lives thereby, who have achieved
success.
Such a man was Benjamin Altman, who, in the
days when the city of York was scarcely out of its infancy, gave to the
dry goods house which proudly bears his name -- and as proudly the impress
of his dominating personality -- the impetus which forced it onward and
upward, through years of patient, unremitting labor, to its present
prosperity. Mr. Altman, even in those early days, fully grasped the
potentialities of the upright, honest merchant who could make fair dealing
and impeccable reliability the watchwords of his life in and out of
business; and, throughout his long and eventful career, never did he
deviate from the path of integrity that he had mapped out for himself in
the beginning.
The foundations of the Altman business were
laid in a small store on Third Avenue, near Tenth Street. Here Benjamin
Altman, then little more than a youth, but already equipped with the keen
discernment and balanced judgment of maturity, began to carve out his
great future. Selecting his merchandise with the fine artistic taste and
the infallible sense of values which were among his most salient
characteristics, and paying cash for every bill of goods he purchased, he
early established, both for himself and his store, a reputation for
reliability which has never been assailed because it is unassailable.
Toiling early and late, dedicating all that
he had and was to his work, he was rewarded by the steady growth of his
business. In the early seventies he removed it from Third Avenue to Sixth
Avenue -- then important shopping center -- where he occupied an
unpretentious store between Twenty-first and Twenty-second Streets. In
1876 he took possession of more spacious quarters on Sixth Avenue at
Nineteenth Street, where the Altman store made history for itself for
thirty years. It was during these eventful years that the store came to be
recognized as the leading dry goods house of the city of New York. Its
elegant appointments, its atmosphere of refinement, appealed to the most
"elusive members of society, not only of its own city, but far afield;
while the superiority of its varied merchandise became a household word in
the world of fashion.
Meanwhile Mr. Altman, with unerring
prescience of the inevitable northward trend of mercantile New York, and
urged by the rapid and persistent increase of his business, began to plan
for an uptown store whose commodiousness should be commensurate with the
constantly growing demand. In 1905-6 the firm of B. Altman & Co.
erected their new store on the east side of Fifth Avenue, between
Thirty-fourth and Thirty-fifth Streets. The first parcel of land for its
site had been acquired by Mr. Altman some ten years earlier; and from time
to time thereafter other lots had been purchased or leased from their
various owners until Mr. Altman possess what he believed to be an ideal
site for the imposing store he purposed to erect in the heart of New
York's most exclusive shopping district.

The opening of the Fifth Avenue store of B.
Altman & Co. marked an important epoch in the mercantile history of
New York. The aristocratic avenue, so long sacred to the resident wealth
and fashion of America's metropolis, had for some time been gradually
yielding -- with more or less gentle protest -- to the encroachments of
business; now it gracefully capitulated. The high-class dry goods store,
with its beautiful architecture, its allure of attractive merchandise, its
fashionable clientele, brought about a transformation that was at once
decisive, brilliant and complete.
But Mr. Altman's ideal
had not yet been attained. The store he planned was still larger, still
more commodious; a store in which shopping in which shopping was to become
a pleasure instead of a task; a store in which the patron's need were not
merely to be supplied, but anticipated; a store in which the personal
comfort, not of patrons only, but of employees also, was to receive the
most thoughtful consideration. It was to be a store of infinite resources;
equipped with every device calculated to contribute to the greatest
efficiency of service; in brief, a store of the highest modern order.
With these aims in view, the twelve-story
addition on Madison Avenue has been erected. With its completion, the
store of B. Altman & Co. becomes not only one of the largest dry goods
establishments in the world, but also one of the most completely equipped.
It now occupies an entire city block, extending east from Fifth Avenue to
Madison Avenue, and north from Thirty-fourth Street to Thirty-fifth
Street. Within this immense building every modern improvement known to
architectural and engineering science is in active operation, rendering it
technically perfect as to light, heat, ventilation and distribution of
floor space.
The new addition, like the original
building, follows in detail the dignified style of the Italian
Renaissance, complete harmony of design and character being preserved
throughout. French limestone, quarried and imported especially for the
purpose, has been used in constructing the entire building (the Madison
Avenue front alone excepted) up to and including the eighth floor, the
remaining four floors (of the superstructure) being of white glazed brick.
On the side fronting Madison Avenue the central elevation is of white
brick above the second floor, the corner pavilions at each side being of
French limestone to the eighth floor. Large display windows lend
distinction to the Madison Avenue corners at Thirty-fourth and
Thirty-fifth Streets; and a spacious vestibule, with marquise extending
over the sidewalk to the curb, forms a stately and impressive entrance,
especially convenient for patrons arriving in carriages and private
motors.
A very commodious carriage entrance, with
enclosed portico for the shelter of patrons awaiting their vehicles, is
located on Thirty-fifth Street.
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