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notes
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At the end of
the Nineteenth Century, the worldwide center of the Avant-Garde
architecture was not New York, but Chicago, with famous visionaries as
John Wellborn Root and Louis Sullivan. They argued against the use of
historical elements, rejecting the fact that a modern understructure must
be hidden behind a display of another age (later followed by Le Corbusier,
Mies van der Rohe, the Bauhaus architects and finally by the International
Style defenders). Sullivan claimed that new kinds of buildings required
new kinds of architectural expression. Such buildings like the Monadnock
or the Reliance (Root, 1891 and 1894), and the Chicago Stock Exchange or
the Carson Pirie Scott Dpt Store (Sullivan, 1894 and 1901) with their
functional façades mainly composed of vertical piers, large bay windows
and geometrical or Art Nouveau ornamentation pushed the contemporary new
yorker buildings into the antiques department. Alas, Louis Sullivan
created only one work in New York -his favourite-, lost in an improbable
area of assorted mercantile interests. The perfectly balanced façade with
its elaborate different piers -the larger ones ended by angels, the
smaller ones expanding in double arches- translates exactly the simplicity
of its structure. The gorgeous and exquisite ornamentation is a personal
Sullivan's creation too. Even if the Bayard-Condict used the tripartite
arcaded façades of the New York's building code, it remained an oddity.
Wank Adams Slavin Associates/WASA, under
the direction of Mr. Gottlieb, designed the unusual restoration method for
the all-terra cotta street façade by removing, repairing, and
re-installing 1,300 of the 7,000 pieces of terracotta, instead of the
usual method of replacing damaged blocks with copies. The Bayard Condict
building remains one of the Village’s and NYC’s proudest architectural
treasures, and the presentation promises intimate insights into one of our
most unique and awe-inspiring landmarks. The restoration was a 2003 winner
of an Annual Village Award from the Greenwich Village Society for Historic
Preservation.
Built just east of Broadway on Bleecker St.
(65 Bleecker), the Bayard-Condict Building, is the only New York Building
by noted Chicago architect Louis Sullivan and was his first solo
commission. Its significance is not in its height but in its graceful façade,
which substantially increased the glass window area in proportion to its
solid wall, foreshadowing today’s curtain-of-glass high-rises. So
advanced was the Bayard-Condict Building that, six months before it was
finished, the Architectural Record proclaimed it as “the nearest
approach yet in New York… to solving the problem of the skyscraper.”
The Bayard-Condict Building is both an official city landmark and a
designated National Historic Landmark. |