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notes
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The
high-ceilinged ground floor and spacious upper stories of this building
are characteristic of the large loft spaces that drew contemporary artists
to Soho from the 1950s onwards. The simple boxy massing of the structure,
its two facades of large glass panes supported by slender cast-iron
elements, and its reduced geometric ornament foreshadow the pared-down
metal and glass skyscrapers of the 20th century. Minimalist artist Donald
Judd owned this building and once lived here.
When architect
Nicholas Whyte designed 101 Spring Street in 1870, he created an elegant
structure for a store and offices that was destined a century later to
become the home and studio of a famous American artist, Donald Judd.
The five–story building on the northeast corner of Spring and Mercer
Streets has a slender but sturdy exterior cast–iron frame which holds
very large windows, with three bays across its Spring Street frontage, and
ten bays along Mercer Street. The abundance of light provided
illumination, first for the display of merchandise, and later, beginning
in 1968, for Judd’s large minimalist sculptures. With his wife and two
children, Judd occupied the spacious upper floors. His studio and workshop
were on the lower levels along with an exhibit of his colorful large scale
sculptures.
Visible day
and night through the windows is a group of patterns created with colored
florescent tubes by artist Dan Flavan. When Donald Judd died in 1994, the
building became part of his estate, and plans are afoot to establish it as
a museum for his large, austere sculptures.
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