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notes
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Built as a
warehouse for the fur dealer William H. Gunther after whom it is named,
this structure later served as a fabric showroom and currently houses an
art gallery and artists' studios. These functional changes exemplify
Soho's gradual transformation from a short-lived residential area
(1820s-30s), into a predominantly textile-oriented commercial district
(1850s-1910s), a low grade manufacturing district (1910s-50s), and finally
into a neighborhood containing galleries, artists' studios and trendy
boutiques (1960s-present).
This six story cast-iron building has a
sophisticated Second Empire facade as was popular in the 1870s. This style
is characterized by diminishing tiers of broad double-hung windows
separated by regularly spaced Corinthian columns and lavish decoration in
the form of cornices, balustrades and brackets. The building's curved
corner exemplifies the plastic qualities of both cast iron and rolled
glass.
The Gunther Building
was built by Griffith Thomas in 1871 for merchants of luxury goods.
William Gunther, whose name is emblazoned on a cast iron “tiara” over
its corner doorway, was a leading dealer in furs. At the turn of the
century, his building was home to several important silk merchants, among
them Schroeder and Company, silk importers, and Liberty Silk Company,
which leased space for its salesroom.
The building’s upper floors have been live/work co–op lofts for
artists for nearly thirty years.
This six–story iron front building has always been admired because of
the skill with which architect Griffith Thomas handled the curved entrance
bay. The first floor has three–quarter round Corinthian columns with an
overhead balustrade. Each of the five upper floors has a cornice,
including the assertive roof cornice held on by ornate brackets.
All of the windows are
framed by flat arches which spring from slender paneled pilasters with
stylized Corinthian capitals. At the extreme west end of the ground floor,
a diligent observer can discern a metal foundry plate reading Aetna Iron
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