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notes
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Venice on
Broadway in buff? Not to you and me, but to the architect, the chinaware
dealer Haughwout and the shopping public, this was Ruskin's Venice. This
emporium devoted to tableware included probably the first commercial Otis
elevator, which has since been removed. The store has two cast-iron
facades as it is a corner building. It usherd in the city's first
fashionable housewares district around Broome Street.
The Haughwout Building was built in 1857,
designed by architect John Gaynor who was inspired by the San Sorvino
Library located on the Piazetta in Venice. The cast iron was forged at
Daniel Badger's famous foundry, Architectural Ironworks, located along the
East River. Its entire facade is comprised of 92 keystone arches crowned
by an entablature comprised of several bands of intricate friezes. The
facade was handsomely renovated at great expense several years ago. The
building featured the world's first passenger elevator, powered
hydraulically, designed and installed by Elijah Armstrong Otis.
The Haughwout Emporium was world famous in
its day as manufacturers and purveyors of cut glass, porcelains, mirrors ,
chandeliers and more. Their clients included the Lincoln's, who purchased
a service for the White House, the Czar of Russia, the Imam of Muscat who
purchased chandeliers to illuminate the royal harem. Gifts from
Haughwout's were presented to the Emperor of Japan and King Rama IV of
Siam in the age of gunboat diplomacy.
When Daniel D.
Badger, the noted foundryman, published his famous catalog in 1865,
he was so proud of the Haughwout building, that he placed a drawing
of it at the front of his catalog. This monumental building at 490
Broadway, northeast corner of Broome Street, brought him national
attention.
The owner of the 5–story cast iron building, Eder V. Haughwout,
opened his new retail store on March 23, 1857, with much fanfare.
Elisha Otis’ first practical passenger elevator was installed the
same year. Haughwout’s store occupied three floors and displayed
ornate home furnishings, glassware, sterling silver, gas
chandeliers, and mirrors. On the fourth and fifth floors, his
factory employed a staff of women who turned out hand painted china,
and craftsmen who worked at glasscutting and silver plating. In 1861
Mary Todd Lincoln visited the elegant Haughwout store to select
custom–made china for the White House. The plates had a pattern
depicting an American Eagle surrounded by a wide mauve border.
The Haughwout building stands on land that was initially bought by
John Jacob Astor in 1802. When he died in 1848, he conveyed the
corner piece to one of his daughter Dorothea’s sons, Walter
Langdon, Jr. Langdon and his real estate advisor, Abner Ely, knew
that this section of Broadway would soon be an important commercial
area, and decided to build a significant building. They chose
architect John P. Gaynor to design this cast iron Italianate
palazzo, which had 92 windows, so as to benefit from the sunny
southwestern exposure. An article in the Cosmopolitan Art Journal in
1859 praised the building’s original “Turkish drab” color.
We are fortunate that this remarkable building exists today, because
if Robert Moses had had his way in the 1960s, it would have been
demolished for the proposed Lower Manhattan Expressway.
In 1994, its owners undertook its rehabilitation and repainted it a
warm beige. Today the building’s ground floor is occupied by
Staples, an office supply store.
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