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New York Architecture
Images- Midtown New
Amsterdam Theater |
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architect
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Herts & Tallant |
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location
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214
W42, bet. Seventh and Eighth Aves. |
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date
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1903 |
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style
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Beaux-Arts |
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construction
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stone, brick |
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type
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Theater |
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images
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How things
have changed!!! |
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Image- with
special thanks to Rick Stasel |
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New Amsterdam Theatre showing Mary Poppins,
2007 |
The New Amsterdam Theatre is a Broadway theatre located at 214 West 42nd
Street in the heart of Times Square in New York City. It is operated by
Disney Theatrical Productions, and is currently showing the musical Mary
Poppins.
History
Construction and original run
The New Amsterdam was built in 1903 by the partnership of impresarios
A.L. Erlanger and Marcus Klaw and designed in the Art Nouveau style by
architects Herts and Tallant. At the time of construction, it was the
largest theatre in New York with a seating capacity of 1,702. Along with
the Lyceum Theatre, also built in 1903, it is the oldest surviving
Broadway venue.
The New Amsterdam opened in November 1903 with a production of
Shakespeare's A Midsummer Night's Dream. For many years, it hosted the
Ziegfeld Follies, showcasing such talents as Olive Thomas, Fanny Brice
and the Eaton siblings. A racier sister show of the Follies, the
Midnight Frolics, played in the New Amsterdam's roof garden theatre. The
New Amsterdam was the scene of Marilyn Miller's greatest triumphs in the
musicals Sally (1920) and Sunny, which opened in September 1925
co-starring Clifton Webb as Harold Wendell-Wendell and ran for three
seasons [1]. But the theatre also hosted serious productions, and in
June 1927 Basil Rathbone appeared there as Cassius in Julius Caesar [2].
Restoration
The Great Depression took its toll on the theatre business, and in 1936
the New Amsterdam closed. It reopened on a limited basis in 1937 but
soon was converted to a movie theatre. The Nederlander Organization
purchased the landmark property in 1982, but it would not be on the road
to rehabilitation for another eight years. In 1990, after a court
battle, the State and City of New York assumed ownership of the New
Amsterdam and many other theatres on 42nd Street. Disney Theatrical
Productions signed a 99 year lease for the property in 1993. The
theatre, which had recently been used as a filming location for the
movie Vanya on 42nd Street, was in shambles; it would take several years
and millions of dollars, to restore it to its original usage and
grandeur. The roof garden remained closed when it was discovered that it
could not be brought up to modern building codes.
The New Amsterdam was officially reopened on April 2, 1997. In November
1997, after the premiere of the film Hercules and a limited engagement
of a concert version of King David, Disney's stage version of The Lion
King opened. On June 4, 2006, The Lion King closed in The New Amsterdam
Theatre, moving two blocks uptown to the Minskoff Theatre on June 13,
2006. Mary Poppins began previews at the New Amsterdam Theatre on
October 16, 2006 and opened on November 16, 2006. [1]
Benefit events
The New Amsterdam has also hosted events benefitting Broadway
Cares/Equity Fights AIDS, including the annual Easter Bonnet
Competition. In recent years, the benefit's honored guest has been
centenarian Doris Eaton Travis, who originally performed on the New
Amsterdam stage in the Ziegfeld Follies of 1919.
References
^ Parker, John (ed), Who's Who in the Theatre, 10th revised edition,
London, 1947: 1429
^ Parker, John (ed), Who's Who in the Theatre, 10th revised edition,
London, 1947: 1184
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Built 1903 by Herts & Tallant for Klaw and
Erlanger. Opened 26 Oct 1903 with Shakespeare's "A Midsummer Nights
Dream". Home to the "Ziegfeld Follies" from 1913 until
1927. In the 1940s converted to a cinema. 1994-1997 renovation for Walt
Disney Co. Re-opened May 1997 with a concert performance of "King
David". Since 1997, used for the musical, "The Lion King".
1771 seats.
Roof theatre: Opened 1904 as "Aerial
Gardens" (693 seats). 1914 renamed "Danse de Follies". 1923
renamed "Frolic Theatre".
Special
thanks to CARTHALIA
Andreas Praefcke's postcard collection of theatres.
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Along with the
New Victory, Lyceum and Hudson theaters one of the oldest surviving
legitimate theaters on Broadway. In 1902 impresarios Marc Klaw and Abraham
Erlanger followed Oscar Hammerstein to 42nd Street. But just barely. The
theater they commissioned Herts & Tallant to build across from
Hammerstein's Republic has a narrow entry on 42nd Street with, the bulk of
the house on 41st Street. The 42nd Street Beaux-Arts entrance opens into
the finest Art Nouveau theater interiors in NYC. Carved and painted
plaster, carved stone, carved wood, murals and tiles—all combine to
evoke what it was like going to the theater at the turn of the century. A
production of Shakespeare's Midsummer Nights Dream opened the
theater on Nov 2, 1903. Florenz Ziegfeld staged his Follies at the
New Amsterdam from 1913 through 1927, along with various editions of his
other revues, known under various names including The Midnight Frolic
and The Nine O'Clock Revue, on the theater's rooftop stage
As were many
other legitimate theaters during the Depression years, the New Amsterdam
was converted to a movie house in 1937. The Nederlander Organization
purchased the theater in 1982 and, planning to piggyback on the proposed
redevelopment of the Times Square area, started on a problem plagued
reconstruction program to return the theater to legitimate use. Major
structural problems, combined with the uncertainty of the City's economic
health (which had the Times Square redevelopment project in fits and
starts), repeatedly delayed the reconstruction. New York State purchased
the New Amsterdam in 1992 and subsequently resold it to the Walt Disney Co
for $29 million. The complete reconstruction of the theater between 1995 -
1997 signaled Disney's confidence in Times Square and anchored the further
redevelopment of the area
1906
Victor Moore, Fay Templeton and Donald Brian star in Forty-five Minutes
from Broadway, with a book by George M Cohan, music by George M Cohan
and lyrics by George M Cohan. George M Cohan did not star
1907
A production of Franz Lehar's The Merry Widow runs for 416
performances
1910
The Otto Harbach-Karl Hoschna musical Madame Sherry runs for 231
performances and stars Jack Gardner, Ralph Herz and Lina Arbarbanell
1911
Hazel Dawn is The Pink Lady in her Broadway debut. The show, with
music by Ivan Caryl and lyrics by CMS McLellan runs for 312 performances
1913
Flo Ziegfeld produces the first of his Follies revues at the New
Amsterdam. This installment features Leon Errol, Frank Tinney and Ann
Pennington
1913
Victor Herbert's musical Sweethearts stars Christie MacDonald
1914
Ziegfeld's Follies are back along with Leon Errol and Ann
Pennington, this time joined by Bert Williams and Ed Wynn, in his very
first Follies
1914
The great husband and wife dance team Vernon and Irene Castle make their
last Broadway appearance in Irving Berlin's first musical Watch Your
Step
1915 to 1920
Ziegfeld starts his Midnight Frolics on the rooftop stage of the
New Amsterdam in 1915. Ziegfeld's Follies fly high through the late
teens, with performers such as Bert Williams, Ed Wynn, May Murray, George
White, Leon Errol, Fanny Brice, Theda Bara, Ina Claire, Ann Pennington and
Lillian Lorraine sharing the bill. WC Fields makes his Follies
debut in 1915, Will Rogers makes his in 1916, Eddie Cantor in 1917 and
Marilyn Miller bows in 1918. After Prohibition goes into effect in 1920,
the Midnight Frolics, which depended on after-theater drink sales,
become the Nine O'Clock Revue, a show sustained by admission
charges
1920
Ed Wynn stars in a revue of his own, The Ed Wynn Carnival, with
Marion Davis
1920
Marilyn Miller, Leon Errol, Walter Catlett and Helen Morgan star in the
Guy Bolton-Jerome Kern musical Sally. The show runs for 570
performances
1925
Otto Harbach, Oscar Hammerstein II and Jerome Kern collaborate on the
musical Sunny. The show stars Marilyn Miller and Clifton Webb. A
young Pert Kelton has a bit part; in the 50s she becomes not at all
well-known as Alice Cramden in the first few episodes of the Honeymooners,
later replaced by Audrey Meadow
1928
Sigmund Romberg and the Gershwin brother's combine for the musical Rosalie,
starring Marilyn Miller, Jack Donahue and Frank Morgan
1931
Fred Astaire is in on his way out to Hollywood and The Band Wagon
is his and sister Adele's last show together
1932
Even the best have a dry spell. Irving Berlin has not had a show on
Broadway in 5 years. Face the Music has a book by Moss Hart, is
directed by George S Kaufman and stars Mary Boland. It limps through 165
performances
1933
The Otto Harbach-Jerome Kern musical Roberta stars Bob Hope, Tamara
Drasin, Sidney Greenstreet, Fay Templeton and George Murphy
1997
After a 60-year hiatus, the New Amsterdam reopens as a legitimate venue
with a musical production of King David
1998
Destined for a long run delighting children of all ages, The
Lion King opens to glowing reviews and glowing audiences. Critics
doubted the Disney organization had the right stuff for Broadway, but the
show takes the Tony
for best musical, as do Julie Taymor for direction and Garth Fagan for
choreography
2003 This show
doesn't stop
With thanks to http://www.jimsdeli.com |
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Purchased and
restored by the Walt Disney Company in 1995-97, the New Amsterdam Theatre
was the centerpiece of the recent Times Square revival. Beautifully
restored, the New Amsterdam Theater is now Disney's premiere showcase for
its stage shows. Tours are given on Mondays and Tuesdays and the cats from
Lion King will seemingly play here forever.
Seats 1,771 people
Neighborhood: Theatre District
Location: South side of 42nd Street, west of 7th Avenue; right next to The
Disney Store
Broadway's newest legit house is really its oldest: the original New
Amsterdam opened in 1903 (the same night as the Lyceum). The New Amsterdam
theatre was built by Klaw and Erlanger. Its elaborate decor was a
collaboration of many painters, sculptors, and designers. Decorated
in mauve, green and dull gold, the beauty of the theatre earned its name
"The House Beautiful" from the New York Times upon its
opening. Three motifs were used in the decoration: the history
of New Amsterdam from Henrick Hudson to 1903, the history of the theatre,
and art nouveau floral and fauna.
On the
roof of the New Amsterdam Theatre there was a unique stage. While it
was not unusual to have a small stage on the roof of a theatre, most
rooftop stages contained no more than a platform that served as a simple
stage and were only useable in warm weather. They were more
like gardens than theatres. The New Amsterdam had a complete
miniature theatre that could be used all year, although it was only used
in the summer months. On the rooftop, primarily variety shows were
presented.
When it
was built, the New Amsterdam was the largest theatre in New York, and
could seat 1800 people. It opened in November of 1903, with
Shakespeare's A Midsummer Nights Dream. Over the years the
New Amsterdam housed a variety of plays and musicals She stoops to
Conquer, George M. Cohan's Forty-five Minutes from Broadway,
and The Merry Widow. In 1913, the New Amsterdam became the
home of the Ziegfeld Follies. The Follies brought many of the
greatest Broadway actors and actresses to the New Amsterdam. Leon
Errol, Bert Williams, Fanny Brice, Will Rogers, and W.C. Fields are some
of these performers. Along with the Follies, Ziegfeld produced many
revues and musical comedies in the rooftop theatre. In 1914, the
rooftop theatre was renamed Danse de Follies and Ziegfeld added a
dance floor on the rooftop. Later, in 1923, the rooftop would be
renamed again, to the Frolic Theatre.
The New
Amsterdam was affected by the depression. While shows produced
inside the New Amsterdam remained fairly constant through the early
thirties, the rooftop theatre suffered. In 1936, the New Amsterdam
was closed. The rooftop theatre was reopened the next year, but for
radio use rather than live productions. After the New Amsterdam
reopened in 1937, productions of plays were limited. The final live
production in the New Amsterdam before its transformation into a movie
theatre, was a production of Othello starring Walter Huston.
The theatre remained a movie theatre into the 1980's, when the owners, the
Nederlanders, proposed to renovate the theatre. This project was
cancelled when problems were discovered in the main supporting beam.
In
1993, the Walt Disney Corporation brought the New Amsterdam back
from the dead. At an estimated restoration cost of $34 million the
Disney Corporation agreed to restore The New Amsterdam to its former
glory. Their restoration is stunning, both from the outside, where Times
Square now bursts with a scrubbed-up neon glow, and on the inside, where
the overdone baroque decor from the days of the Ziegfeld Follies has been
lovingly returned to its former splendor. In the lobby, which contains
elevators to take you to the mezzanine levels, you'll be greeted by
uniformed ticket takers who look like they stepped out of a 1930's movie.
To your right is a spacious and well-stocked refreshment area. The New
Amsterdam Room downstairs, a broad round space connecting the men's and
lady's lounges, is reached by grandly carpeted spiral staircases and
features deluxe upholstered benches on which you can wait for the
rest of your party to take care of business in the restrooms or at the
inevitable (but elegant) souvenir stand. (And there are attendants at each
of the lounges, too.)
The
grand reopening of the New Amsterdam took place in May of 1997, with a
concert staging of King David. Later that year, a stage
version of the highly successful full-length cartoon The Lion King
was presented at The New Amsterdam. The Lion King went on to
win the Tony Award for best musical in 1998 and has been playing to
capacity crowds since its opening. Needless to say it will be
playing the New Amsterdam for years to come.
Disney
has published a stunning coffee table book ($80 including tax at the
theatre called simply The New Amsterdam). Lavishly illustrated,
this volume by theatre historian Mary C. Henderson recounts the history of
the theatre from its heyday as the home of the Ziegfeld Follies through
its years as a movie house and then a decaying unused landmark to its
exciting rebirth this year. The book also includes many before and after
photos illustrating the renovation process.
To see before and after pictures of the
renovation click here. |
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contact
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nyc-architecture.com
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| links |
New
Amsterdam Theatre at the
Internet
Broadway Database
Official Website
Broadway Theatre Guide with full show details for the New Amsterdam
Theatre
Chronology at the
New 42nd Street site Henderson, Mary C. (1997). The New Amsterdam: The
Biography of a Broadway Theatre. New York: Hyperion.
ISBN 0-7868-6270-X. Morrison, William (1999). Broadway Theatres:
History and Architecture. Mineola, N.Y.: Dover Publications.
ISBN 0-486-40244-4.
Travis, Doris
Eaton; with Joseph and Charles Eaton (2003). The Days We Danced: The
Story of My Theatrical Family from Florenz Ziegfeld to Arthur Murray and
Beyond. Seattle: Marquand Books.
ISBN 0-8061-9950-4. |
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