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| Hell's Kitchen History |
By:
Kirkley Greenwell
Times Square and West 42nd Street have gotten recent face-lifts, but
there is one neighboring area that still enjoys being rough around
the edges: Hell's Kitchen. Loosely defined as the district west of
8th Avenue between 34th and 59th Streets, Hell's Kitchen has a
history as colorful as its name. Though the neighborhood now has a
reputation for restaurants rather than riots, many of the locals can
recall the darker past of Hell's Kitchen.
History
For many years, Hell's Kitchen was famous for its fights.
From ax-handle arguments over clotheslines to race riots, violence
was a way of life.
The area's name itself speaks volumes. No one can pin down the exact
origin of the label, but some refer to a tenement on 54th as the
first "Hell's Kitchen." Another explanation points to an
infamous building at 39th as the true original. A gang and a local
dive took the name as well. The truth is difficult to uncover, since
the West Side was peppered with menacing nicknames like Battle Row
and the House of Blazes (where arson was a favorite form of
entertainment), so Hell's Kitchen was just another way of describing
a place that was hotter than hell. The expression was possibly an
import: a similar slum also existed in London and was known as
Hell's Kitchen.
Whatever the origin of the name, it fit. Hell's Kitchen was troubled
by violence and general disorder from an early point in its history.
In 1851 the Hudson River Railroad opened a station at West 30th
Street, and the development of the railway brought factories,
lumberyards, slaughterhouses and tenements to house the numerous
immigrant workers. Poverty and close quarters bred ill will between
neighbors, and riots erupted between the Irish Catholics and
Protestants as well as between the Irish and African-Americans.
Eventually, gangs such as the Gophers and later the Westies ruled
the streets. Hell’s Kitchen also served as an appropriate setting
for one of the most famous gang rivalries of all: the Sharks and the
Jets in Leonard Bernstein's West Side Story.
Even the rowdiest of neighborhoods can be reformed, however. The
1930s brought the destruction of some of the worst tenements, and
the surface railroad tracks that had given 11th its reputation as
Death Avenue were moved to a safer location. The Ninth Avenue
Elevated train, which had blocked out the sunshine for generations,
was dismantled as well. Attracted by its easy access to the Theater
District, actors moved into Hell's Kitchen. Off-Broadway theaters
flourished, and the Actors Studio on West 44th Street fostered stars
like Marlon Brando and Marilyn Monroe. Residents took control of
their blocks, transforming vacant lots into parks and driving out
hoodlums. By the end of the 1950s developers wanted a more
respectable identity for the neighborhood. They finally rejected the
infamous Hell's Kitchen designation in favor of a name resurrected
from the past: Clinton, after former mayor and governor DeWitt
Clinton.
Present-Day Hell's Kitchen
These days Hell's Kitchen is free from gang wars, but it
faces a new foe: gentrification. Neighboring districts like Chelsea
and the Upper West Side have become magnets for wealthy young
professionals in recent years. Hell's Kitchen lies in between,
desperately fighting to hold onto its original working-class
character.
Over the years the Irish and German population has made room for
Italians, Greeks, Eastern Europeans, Puerto Ricans, Peruvians and
Ecuadorians, among others. This diversity is reflected in the local
businesses, particularly in the numerous restaurants. A century ago
vendors sold an array of foods from pushcarts along the streets;
today the abundance and variety of food offered is a continuing
tradition. Known for its ethnic cuisine, the area attracts hungry
theater-goers, particularly along "Restaurant Row" on West
46th Street. Ninth Avenue, the heart of the neighborhood, is known
for its annual International Food Festival in May, when twenty
blocks are traffic free and filled instead with stands selling
delicious fare from all over the world.
With its lively ethnic character and old neighborhood feel, Hell's
Kitchen is getting hotter all the time. Trendy New Yorkers hail
Clinton as an up-and-coming neighborhood, safer and more attractive
than ever. Even with this new popularity, however, many locals take
pride in the rough-and-tumble past, remaining loyal to a
neighborhood that they still call Hell's Kitchen.
For More Information
Hell's
Kitchen Flea Market, every Saturday and Sunday, 9am-5pm
Historical information on the Women
of Hell's Kitchen.
Check out Hell's Kitchen at the movies: West Side Story
(1961) and Sleepers (1996) were both filmed in the area.
For information on the annual Ninth Avenue International Food
Festival call the Ninth Avenue Association at 212/581-7217.
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ETHNIC
ASSIMILATION
With farms continually being divided
into lots, the populace shifted from landed gentry to wage
earners. Although paved avenues only reached to 30th Street in
1847, the city authorized laying of track and operation of trains
from Canal Street to Spuyten Duyvil along 10th, 11th and 12th
Avenues. This accelerated movement into the area of industry and a
population seeking employment opportunities. The first large
groups of immigrants to Clinton came from Ireland fleeing the
famine at home in the 1840's; weavers arrived from Scotland and
cabinet makers from Germany. Negroes working on construction of a
distribution reservoir on the site of the present New York Public
Library and Bryant Park settled around 53rd Street and 9th Avenue.
The Herald newspaper proclaimed that the 450 children from 26
ethnic groups attending Public School 127 at 515 West 37th Street
when it opened in 1854 represented:
a superior class of residents
than those [on the] east side of town.
As if to contradict, an "Evening
Post" reporter complained that:
During the past few years an
immense population of Irish and Germans have settled on the
vacant lots between 37th and 50th Streets. They have built their
own cabins and live there, the dogs, goats and pigs often all in
the same room with the family. Their business is the poorest
street or house labor -- picking rags, selling goat's milk,
gathering cinders from the ashes to sell to other poor, cleaning
the new houses, working on the docks, and among them, Germans
making the wooden splinters for match manufacturers.
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Amity Baptist Church, wooden church in the Gothic
style, 310 West 54th Street,
N.Y.C. Photograph, 1885
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Churches, schools, social
organizations, places for recreation and entertainment, shops of
all sorts, grocers, butchers, fishmongers opened shop in Clinton.
Doctors, hospitals, orphanages, homes for the aged and social
service organizations formed. The populace pulled in city services
of police patrols, fire stations and sanitation workers. Families
filled clusters of two and three story frame houses. Overcrowded
multiple tenant buildings throughout the city led its housing
inspector to report that one tenth of the population lived in
deplorable housing. He was promptly removed from his post.
Religion played a central role in
neighborhood life. Ethnic and religious groups worshipped in
accord with different traditions and built churches to suit.
During the second half of the nineteenth century an impressive
number of houses of worship spread through the neighborhood.
- St. Michael's Church, 1857, 34th
between 9th and 10th, largely Italian attendees
- Dutch Reformed Church, 1861, 34th
8th and 9th
- Collegiate Church, 1914, 305-9
West 34; demolished for New Yorker Hotel 1929, now home to
Unification Church of America
- St. Clare's Church for Italians,
1903, 434 West 36th with a school following two years later
- 2nd German M.E. Church, 1913,
346-8 West 40th
- Mission Chapel of Atonement, 1869,
416-18-20 West 41; around 1900 merged into Zion Industrial
School
- Holy Cross Church and school,
1854, 42nd Evangelical Lutheran Church, 424 West 44 [now New
Dramatists]
- The 7th Associate Presbyterian
Church, 1870, 432 West 44 Street, brick late Greek revival
style building which later became home to the famed Actors
Studio
- Ganes M. E. Church, 1863,461-3 W.
44
- St. Luke's German Evangelical
Lutheran Church, 1850, 46th between 8th and 9th
- Faith Chapel, 1867, 421 West 46th,
became St. Clement's
- 2nd German Baptist Church, 46th,
in 1889 became part of the assemblage by Wessell, Nickel,
Gross for a new piano factory building, which in turn became
an apartment cooperative in 1980.
- St. Albert's, 47th, primarily
French and Flemish parish members
- Congregation Ezrath Israel The
Actors Temple, 1917, 339 West 47th, the neighborhood's only
Synagogue was established as the West Side Hebrew Association
- German Church of the Assumption of
the Blessed Virgin Mary, 1859, 427 West 49; 1867 school on
50th
- St. James Presbyterian Church
(colored) 3rd site 355-359 West 51. Irvington Hall apartments
built on cleared site 1914
- Sacred Heart parish, 1876, Irish,
51st between 9th and 10th
- Martha Memorial Church, 1886,
419-21 West 52nd
- Second Evangelical Church, 1869,
342 West 53rd
- St. Benedict the Moor, first black
mission church north of Mason Dixon line, founded on Bleecker
Street 1883, moved into a former Protestant church at 342 West
53rd in 1898
- Amity Baptist Church, 1885, 310
West 54th
- St. George Theodorfus Greek
Orthodox Church, 1886, 307 West 54th
- St. Ambrose Church, 1898, 541 West
54th. A religious order now uses this and the adjacent
building as a residence for young working women.
- Deems Memorial Church of the
Strangers, 1927, 309 West 57th
- Trinity Presbyterian Church, 1877,
424 West 57th, also hosts a weekly service by the Church of
South India
- Catholic Apostolic Church 417 West
57th
- St. Paul the Apostle Church, 1876,
59th on 9th, designed by architect Stanford White with
baptistery and a mural by artist John La Farge.
The Catholic Polish National church
which had been housed at 552 West 50th Street moved to 40th off
9th Avenue in 1909. Renamed St. Clemens Mary, with 160 children
attending services, the school continued until 1971. The Croatian
Franciscans took over the 50th Street church renamed St. Cyril and
Methodius. Today the building is a Bysantine church, its medieval
style painting and frescoes magnificently restored.
Ninth Ave. Elevated Railroad north from 42nd St.,
showing station at W. 42nd St. Photograph by J.A. Powelson, May
12, 1876. New York Historical Society
The astonishing number within one
square mile on this incomplete list clearly indicates the
centrality of church activity in the lives of Clinton residents
throughout its history. Over the years, however, many of the
church buildings have been demolished or converted to other uses.
Only three churches continue their grammar and/or high schools.
Ethnic and economic groups did not
always mix harmoniously. Racial animosity existed sporadically and
in pockets. During the Civil War Draft Riots of July 1863 a white
mob hanged negroes at 32nd Street and 8th Avenue and women slashed
at three of the bodies. Police routed the mob of 5,000 but it
returned later and hung more until artillery was used against
them. Police jailed only 20 men. The mob also burned the Colored
Orphan Asylum between West 44th and 45th Streets on 5th Avenue.
Two white women, Mrs. Anna Shotwell and her niece Ms. Murray, had
founded the home in 1836. Although the fire destroyed the
building, all the children were saved.
1900's Recreation Pier. Courtesty Department of
Ports, International Trade & Commerce
In July 1881 a crowd of Irish men in
the neighborhood threw bricks from house roofs at Orangemen
parading up 8th Avenue. A riot ensued. Police summoned the State
Militia which fired on the crowd using real bullets instead of
expected blanks. 30 bystanders were killed, hundreds wounded.
In 1899 when whitemen attacked James
Harris at 41st Street and 10th Avenue, he drew a gun and killed
two of them. A year later, racial tensions erupted into riots in
August. While his wife waited outside, a negro man ducked into a
store on the comer of 41st Street and 8th Avenue to buy a cigar.
Police in civilian clothes arrested the wife. The husband, not
knowing that the man accosting his wife was a police officer,
fought with him. In an ensuing scuffle, the policeman hit him with
a club; the husband slashed him with a penknife, ran and
disappeared. On the day of the policeman's funeral and that night,
hordes of 5,000 young whites 16 to 19 years old mobbed the streets
from 34th to 42nd west of 8th Avenue. Joined by policemen, they
chased negroes dragging them from streetcars or wherever found to
savagely beat them. Police refused to interfere or protect negroes
but instead beat and arrested them, cries for justice unheeded. In
the morning, they did arrest 600 persons. Negroes, refusing to be
driven from their homes, formed a League and hired an attorney who
put together a stack of over 50 affidavits describing the
viciousness of police.
That blacks continued to live in
Clinton is confirmed by the move of P.S. 6, whose principal was
black, from Broadway by West 35th Street to 41st Street and 8th
Avenue in the late 1800's. During those early years, the city
moved schools and principals to follow the center of the city's
negro population. The city's first negro teacher in a school which
included both blacks and whites was Ms. Susan Frazier. A graduate
of Hunter College in 1888, she waited twelve years for permanent
appointment as a teacher and gained it only after taking the Board
of Education to court.
The 53rd Street blocks from 6th to
9th Avenue between the years 1890 and 1910 were known as the Black
Bohemia. Jack Johnson, the first black heavyweight boxing
champion, comedian Bert Williams and William Sims, the first black
jockey to win the Kentucky Derby three times, lived for a time in
that strip.
A 1930 study by Greater NY Federation
of Churches placed the area's section with largest negro
population around West 58th Street east of 10th Avenue in
"San Juan Hill." The name honored black troops who
served in the Spanish American War. In PS 141, 828 blacks attended
out of the school's 1,104 pupils. Students were drawn from Central
Park West to 12th Avenue, 64th to 55th Street. PS 58 on 52nd
Street west of 8th had 150 black students out of a 750 total. Its
area covered 8th Avenue to the Hudson River, 49th to 59th Streets.
They also counted 50 Puerto Rican students, "a new element
just appearing in the school district." There were no negro
churches below 35th on the west side.
In the 1920's many of St. Benedict
the Moor's parishioners followed a citywide move of blacks to
Harlem in the 1920's. The Spanish order of Franciscans were
assigned to the church and the Church re-dedicated in 1954. Many
of the former members filled the Church for its one hundredth
anniversary celebration.
Catherine Green, born in 1915, lives
on West 51st Street between 8th and 9th Avenue within a block of
her birthplace at 409 West 52nd Street. Her only other two moves
were to apartments on that same block. Her parents arrived on 52nd
Street from South Carolina around 1914. Of their 5 children, one
boy and 4 girls, three of the girls married neighborhood boys then
left Manhattan. Catherine did not marry. When her parents both
died within a year of each other in the 1930's, the owner of their
tenement building kept Catherine and her brother but the four
youngest girls went to an orphanage because their grandmother was
not able to care for them.
Catherine attended PS 58 on 52nd
Street between 8th and 9th Avenues, PS 84 on 50th Street and Julia
Richmond High School on the eastside. She found work in a
hospital, then in a factory as a stamper and pinner on materials.
As each of her sisters reached 16, she took her from the orphanage
and saw to completion of her education. In 1956, she switched to
temporary work at the IRS and from there to full time at Mangel
Stores on 18th Street where she stayed in the accounting
department for 24 and a half years before retiring.
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1858 "The Hermitage" Samuel L. Norton
residence 43rd Street between Eighth and Ninth Avenues
United States History, Local History & Geneology
Division.
The New York Public Library Astor, Lenox and Tilden Foundations.
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As a child she played mostly in front
of the house but did go to Central Park for ice skating, sleigh
riding and boat rides. She belonged to a social club formed in the
neighborhood but never a political one. Broadway was okay for the
movies but Tenth Avenue was forbidden territory because of racial
problems if a black person walked through. She confirms that:
White kids chased us away
because we were black, My parents warned us never to go over
there. In fact, I should say ordered us and when they told me
something, I listened. Except, I did go sometimes anyway and got
chased just like they said I would. Other than that I don't
remember any gangs or gangsters. I mean, the kids who chased us
didn't seem to do it in meanness, just sort of that's the way it
was, more turf than color. We had our block, they had theirs,
but there were whites and blacks on both of them.
Perhaps because he was white, in his
1935 book of reminiscences, Dr. Milton Jonathan Slocum observed no
racial distinction where he lived and practiced medicine in a
tenement apartment on West 56th Street off Ninth Avenue.
We were not Catholic, which
most of the people were, nor were we Italian, Irish, French or
German. We were a Brooklyn girl and Virginia boy, and both of us
were Jewish. Yet I knew we would be accepted. And we were.
The composition of ethnic groups has
changed but the mixed use, mixed income, mixed ethnicity of the
neighborhood continues. The 1980 Census of 35,858 residents in the
area records 74% white (with 30% Hispanic), 9% black, 4% Asian,
12% other and 1% American Indian. A radical change, however, is in
the numbers. Compared with the thousands of children attending
school in the middle years of the century, a 1990 Department of
City Planning report listed the school population from
Kindergarten through 8th grade at 1,320 in public and 654 in
private and parochial. In 1867 St. Michael's Church alone had
1,200 children attending.
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From Hell's Kitchen: The Roaring Days of
New York's Wild West Side by Richard O'Connor
For decades after the Civil War, Hell's
Kitchen on New York City's West Side between 14th and 52nd Streets, and
Eighth Avenue and the waterfront, and the Tenderloin just to the east,
glowed, simmered, and frequently boiled over with crime and corruption.
Notorious gangs ruled the streets between the tenements, grog shops,
slaughter houses, railroad yards, and gas works. In Hell's Kitchen Bully
Morrison pulled lamposts out of the sidewalk to use as shillelaghs.
During prohibition Hell's Kitchen was the domain of Owney Madden and
"Mad Dog" Coll who scared even the city's underworld.
In the gaslight days of the lobster
palaces, private dining rooms, and champagne suppers, those in a
sportive mood headed toward the Tenderloin, centering around Haymarket.
In the Tenderloin there was more crime per square mile of redlight house
and saloon than in any other place in America. This all flourished under
police protection of course.
But Hell's Kitchen also produced
"The Fighting 69th" and Father Francis Patrick Duffy, the
heart and soul of that famous regiment. Writers such as Thomas Wolfe and
O. Henry lived in Hell's Kitchen and searched its streets for ideas and
inspiration.
Over the years, Hell's Kitchen has learned
to temper its wild instincts somewhat. An unknowing visitor will still see
pockets of sleaze, but the neighborhood is home to thousands of people and
businesses. Some still argue about the exact boundaries of Hell's Kitchen,
but these days it's commonly considered to run from 34th to 59th Streets
and from Eighth Avenue to the Hudson River. The area is also known as
Clinton and residents use the two terms interchangeably. One word of
caution: our neighborhood is not Midtown West, an unwelcome moniker
slapped on by the real estate interests.
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