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The original Cotton
Club, was at 644 Lenox Avenue, in New York (at West 142nd Street
and Lenox Ave.). Former heavyweight boxing champion Jack Johnson first
opened the club in 1920 as the Club Deluxe. Then, Owney Madden took it
over, and in 1922 changed it's name to the Cotton Club. The club's manager
in the early 1920s was Don Healy, and the stage manager was Herman Stark.
the club had an "all-White" policy, - only the performers were
Black. In the Fall of '23, the club opened with a high stepping line of
the most beautiful "sepia skinned" chorines. The shows had the
best choreography, and soon everyone was coming up to Harlem. Here's the Front
Cover of the Cotton Club Menu. Oh, -Here... let me light your
cigar with a match from this little Box
of Matches, here on the table. During it's years of operation, the
Cotton Club spawned a generation of top flight talent. In 1927, Duke
Ellington's orchestra was hired, and was replaced a few years later by Cab
Calloway's band. It was at the Cotton Club that a young 16 year old Lena
Horne began singing. Duke Ellington discovered that one of the showgirl
dancers, Adelaide Hall, had a beautiful singing voice. Her first fame came
when she sang the Obbligato on Ellington's recording of "Creole Love
Song" (composed by the Duke's trombonist, Juan Tizol). The club even
had the finest composers writing music for the shows, such as composer Jimmy
McHugh, and Lyricist Dorothy
Fields
After the 1935 race riots in Harlem, the
area was considered unsafe for Whites (who formed the segregated Cotton
Club's clientele and the club was forced to close (February 16, 1936). It
reopened in September 1936, downtown on West 48th Street, in premises that
had formerly housed the Palais Royal, and Connie's Inn (1933-'36); the
Cotton Club continued to operate at this location until June 1940.
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Just up the street from the
Savoy Ballroom, this was the most famous of the NYC nightclubs in the
1920's and 30's. Renowned for the stars who started and continued their
illustrious jazz careers here, the Cotton Club's black singers and dancers
entertained white patrons from downtown while management banned blacks in
the audience. After years of importing entertainment from Chicago, Duke
Ellington was lured from the Kentucky Club on Times Square to become the
leader of the house band on December 4, 1927. Billed as "The
Aristocrat of Harlem," the club's radio broadcasts were heard live
nationwide from in the 1930's, featuring such performers as Billy Holiday,
Bill "Bojangles" Robinson, Cab Calloway, and Ella Fitzgerald.
With the demise of prohibition, the club, originally started as a
speakeasy, lost some of its appeal as a "den of iniquity" and
closed on February 16, 1936, following the exodus of other clubs to
downtown locations. In its new location at Broadway and 48th Street, it
continued to present its glamourous reviews but at higher prices. It
closed for good on June 10, 1940. The original site of the Cotton Club was
demolished in 1958 along with the Savoy Ballroom for the construction of
Bethune Towers/Delano Village; however, its legacy lives on at a new site
under the same name at 666 West 125th Street.
Harlem Shadows:
Jazz Clubs
The following list give the addresses
of other jazz clubs that are no longer found in Harlem, their fate and/or
their most famous featured band or star:
a. Congo
Room of the Capitol, West 115th
& Malcolm X Boulevard, c. 1940
b. Bamville
Club, 65 West 125th Street, c.
1920-1930 - Coleman Hawkins
c. The
Plantation, West 126th near
Malcolm X Blvd., c. 1930 - rivaled Cotton Club; Cab Calloway
d. Club
Cabaret, 416 Malcolm X
Boulevard, c. 1923-25
e. Club
Baron, 437 Malcolm X Boulevard, c. 1940-46
f. Goldgraben's,
I.G. Café, 439 Malcolm X
Boulevard, c. 1919-30; In 1964, was renamed Baron's Lounge - favorite
hangout for musicians after work at other clubs
g. Elk's
Rendezvous, 464 Malcolm X
Boulevard, c. 1930-45 - held social club dances
h. Club
Harlem, West 130th & Malcolm
X Blvd., c. 1927-29; In 1964 was renamed Harlem Grill
i. Gee-Haw
Stables, West 132nd Street
between 7th & Malcolm X Blvd., c. 1940-45; In1964, was a Gulf Gas
Station - had a horse's head over the entrance, an after-after-hours club
j.
Lincoln Theatre, 58 West 135th
Street, c. 1909-1964 - installed a $10,000 Wurlitzer organ for Fats
Waller; now a church (1964 data)
k. The
Elk's Café, Malcolm X Blvd.
between West 137th and West 138th Streets, c. 1917-20
l.
Capitol Palace, 575 Malcolm X
Boulevard, c. 1922-50 - now a playground
m. Brittwood
Bar & Grill, 594 Malcolm X
Boulevard, c. 1932-42 - Willie Gant's Musical Maniacs;
n. Golden
Gate Ballroom, Malcolm X
Boulevard & West 142nd Street, c. 1939-50 - luxurious ballroom
o. Rhone's
Orchestra Club, 625 Malcolm X
Boulevard, c. 1920-35 later Lenox Club, a.k.a. "The Breakfast
Club," 652 Malcolm X Boulevard, c. 1935-45 - Louis Armstrong,
Fletcher Henderson, Duke Ellington, 3 shows nightly with an 8-girl line;
demolished 1958 for Bethune Towers/Delano Village.
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