As the Republican
Convention unfolds in New York, the drama will be mostly focused on
platform planks, policy, speechmaking, sound bites and the like.
There will be characters of all sorts paraded across the stage, and
New York will become a mere backdrop for lots of partisan politics
and protests. But for those in search of the Big Apple’s real
spirit, it would behoove both visiting Republicans and full-time New
Yorkers alike to take a tour of the sites that have become more
familiar courtesy of Woody Allen, whose films serve as loving,
visual (and sometimes neurotic) reminders of what makes New York
such a personally affecting place. Woody’s New York is an authentic
New York; as much about offbeat delis and street corners as it is
about skylines and museums.
So if you’re ready to walk off some angst, then
let’s visit some of Woody Allen’s most memorable New York filming
locations…
1977 - Annie
Hall
Considered by many to be
his best ever, the bittersweet story of a quirky neurotic named
Annie Hall did as much for alternative female fashions as it did for
the filmmaker’s career. All of a sudden, women were wearing men’s
ties, vests and hats, and Woody was viewed as more of an “artist”
who dealt with adult themes and humor versus some of his lighter
works (i.e. Sleeper and Love and Death). Autobiographical or not,
Annie Hall won Oscars that year for Best Picture, Best Actress
(Diane Keaton), Director (Woody Allen), and Original Screenplay.
Considered
by many to be his best ever, the bittersweet
story of a quirky neurotic named Annie Hall did
as much for alternative female fashions as it
did for the filmmaker’s career.
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Some of the film’s more memorable landmarks include
the Beekman Theatre, located at 1254 Second Avenue. This is where
Alvy Singer (Woody) is accosted by a fan who recognizes him (when
Annie is late for the movie and Alvy is waiting outside for her.)
Another theater, the Thalia Cinema, was once located at 250 West
95th Street. Torn down in 1987, this was where Alvy bumped into
Annie (as she takes her new boyfriend to see The Sorrow and the
Pity) at the ending to Annie Hall. As far as Annie’s apartment goes,
while the exact location remains a mystery, it was definitely
located somewhere on 70th Street between Lexington and Park Avenues.
1979 -
Manhattan
Manhattan remains a
favorite of most Woody Allen aficionados. Shot in stark black and
white and set to a powerful Gershwin score, it dealt with awkward
adult themes in a genuinely touching manner, and featured a
wonderfully sinister turn by Meryl Streep (as Woody's estranged,
now-lesbian ex). A young Mariel Hemingway played Woody’s teenage
love interest in the film, and it was at John’s Pizzeria (278
Bleecker Street in Greenwich Village) where she broke the news to
him that she was off to London to study. A real-life haunt of
Woody’s, the classic New York restaurant Elaine’s, (1703 Second
Avenue between East 88th and East 89th Street) is where the film
opens, with Woody waxing on to his friends about the trials and
tribulations of dating a 17-year old. The iconic poster image for
the film of Woody and Diane Keaton seating on a bench together was
shot at Riverview Terrace on Sutton Square, just beneath the 59th
Street Bridge on the east side of Manhattan. Perhaps the most famous
scene from the movie, this is where Woody and Diane Keaton watch the
sun come up together, in the shadow of the bridge. (There’s no
longer a bench located where the pair sat.)
1984 - Broadway
Danny Rose
This 1984 effort focused
on the career of Danny Rose, a small-time, two-bit Broadway talent
agent whose roster of hopeless, hapless clients and bad luck send
him on a series of adventures, recalled by some old Borscht belt
comedians who swap Danny Rose stories at one of New York’s most
famous delis, The Carnegie. Another real life spot frequented by
Woody Allen over the years, it remains virtually unchanged since the
film and also stands as one of the most authentic New York culinary
experiences. The Carnegie Deli is located at 854 Seventh Avenue.
1986 - Hannah
and Her Sisters
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Chris Epting
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Another critical and box office success, Hannah and
Her Sisters focused primarily on the complex lives and relationships
of several women (including “Hannah,” played Mia Farrow) and also
featured wonderful performances by Michael Caine, Max Von Sydow and
Maureen O’Sullivan, among others. A sophisticated, deeply emotional
(and also very funny) film, Hannah and Her Sisters featured many New
York City locations. Pomander walk,
located at 260-266 West 95th Street (through to 94th Street) is
where the architect (played by Sam Waterston) takes Dianne Wiest and
Carrie Fisher on a favorite building tour, including a walk through
this beautiful mock-Tudor village. The
Langham, located at 135 Central Park West, was where
Hannah lived and where her memorable Thanksgiving dinners were held
each year. The St. Regis-Sheraton Hotel (2 East 55th Street) is
where Michael Caine and Barbara Hershey conducted their clandestine
affair after meeting at the Pageant Print and Book Store (now the
Central Bar), located at 109 East Ninth Street in the East Village.
1989 - Crimes
and Misdemeanors
One of
Allen’s most poignant films, Crimes and
Misdemeanors posed deeply philosophical
questions of moral absolutes (cut with several
comedic layers, including a brilliant turn by
Alan Alda as a successful television producer).
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One of Allen’s most poignant films, Crimes and
Misdemeanors posed deeply philosophical questions of moral absolutes
(cut with several comedic layers, including a brilliant turn by Alan
Alda as a successful television producer). The themes of morals,
values and ethics were played out across a wide Manhattan stage,
including the Bleecker Street Cinema in Greenwich Village.
Unfortunately, the theater no longer exists (it had been located at
144 Bleecker Street and is now a video store). In the film, this is
where Woody takes his niece to see movies he feels will make her a
better person. (The theater is also where Aidan Quinn worked as a
projectionist in the Madonna movie, Desperately Seeking Susan.) Alda
offers Woody a job (directing a biography about him) at the elegant
Tavern- on-the-Green restaurant, located on Central Park
West at 67th Street. And the big wedding party that ends the film
was staged in the world-famous
Waldorf-Astoria Hotel
, located at 301 Park Avenue.
1992 - Husbands
and Wives
A novel, documentary-style
of shooting distinguishes Husbands and Wives, a layered drama
dealing with marital, post-marital and extra-marital relationships.
In the film, Mia Farrow’s has lunch with the newly-single Judy Davis
at the Dean & Deluca Café, located at 121 Prince Street in SoHo.
Sidney Pollack and his airhead girlfriend go to the movies at the
68th Street Playhouse, located at Third Avenue and 68h Street.
1993 -
Manhattan Murder Mystery
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Chris Epting
The Hotel New Yorker, from Bullets Over
Broadway
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The basis for this film came from
several ideas originally rejected for Annie Hall, which (believe it
or not) started out as a murder mystery. Re-teamed with Diane
Keaton, Allen and Keaton play a married couple who suspect that
their neighbor may have killed his wife. Elaine’s is feature once
again, as is the venerable 21 Club at 21 West 52nd Street. A body is
discovered at the fictitious Hotel Waldron, which in reality is the
exterior of the Hotel 17, located at 225 East 17th Street. The
interior is a more famous hotel, the
Chelsea Hotel, located at 222 West 23rd Street. One of the most
famous artist hotels in the world, the Chelsea has been home to
everyone from Dylan Thomas to Bob Dylan.
1994 – Bullets
Over Broadway
An ode to the Damon
Runyon-era of the Great White Way, Bullets Over Broadway featured
one of Allen’s best ensemble casts, including Dianne Wiest, John
Cusack and Chazz Palminteri. The Belasco
Theater
, 111 West 44th Street, is where playwright Cusack gets his play
staged (backed by mob money). For the Three Deuces Nightclub, Allen
used the ballroom of the New Yorker
Hotel
, located at 481 8th Avenue (which he had also used for a scene in
1987’s Radio Days.). New York City remains one of the great
“characters” in many Woody Allen films; a living, breathing movie
set that’s as integral to the story as the actors and actresses. So
if you’re in town for the convention and you want to experience a
true slice of the Big Apple, take a look at some of the cinematic
spots he’s helped immortalize. And of course, if you live here, it’s
never too late for a “Woody Walking Tour.”
Chris Epting is the author of six books including
James Dean Died Here, The Location’s of America’s Pop Culture
Landmarks and the sequel, Marilyn Monroe Dyed Here, MORE Locations
of America’s Pop Culture Landmarks, from Santa Monica Press. He is
currently at work on a new pop culture/travel book.
Copyright © 2004 Newsweek Budget Travel,
Inc.