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Giralda Towers
in the United States
The premise of this page is to show how
the Municipal Building and a number of its contemporaries were based
directly on the 16th century Giralda Tower of Seville Cathedral in Spain
(which itself was based on the eight-hundred-year-old Koutoubia Minaret in
Morrocco). Also included is a note on the modelling of 18th century
Russian churches on the Giralda Tower and their subsequent influence on
Stalin's choice of the municipal building as the model for his Stalinist
building schemes.
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The
Municipal Building,
McKim, Mead & White,
1914.
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The
Municipal Building in downtown New York
impressed Josef Stalin so much that the Moscow University main building
(1949-1953) and its accompanying "Seven Sisters" was later based
on it -- as well as, in general, the whole grandiose public building style
in the Soviet Union and its worldwide empire.
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Madison Square Garden
McKim, Mead and White
1890 (demolished in 1925)
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Madison Square was also the location of the original Madison
Square Gardens. Madison Square would soon be associated with
these temples of entertainment. The first one opened in 1879 at the
northeast corner of Madison Avenue and 26th street. This was were most of
the famous fights of boxing legend Jack Dempsey took place. The second
Madison Square Garden, replacing the first one in 1889 was designed by
Stanford White. It featured a concert hall, theater, concert hall and roof
garden. The building had a prominent tower built after the Giralda tower
in Sevilla, topped by a nude statue of of the goddess Diana. In 1925 the
building was demolished and the Madison Square garden moved to 8th Avenue
and 49th streets. The current Madison Square garden is located at Penn
Station. (between 31st and 33rd streets, 7th and 8th avenues)
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The
San
Remo Apartments
Emery Roth, 145-146 Central Park West ,
1930 |
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A scaled-back Art Deco
version of the Giralda Tower, with more emphasis on the Choragic temple
component.
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The
Eldorado
Margon & Holder and Emery Roth New
York 1929-1931
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I would argue that this is
an Art
Deco version of the Giralda Tower.
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| The Biltmore, Coral
Gables, Florida. 1926 |
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With its l5-story tower modeled on the Giralda Tower in
Seville, Spain, the Biltmore rises majestically in the city of Coral
Gables. Its red-tiled roof, Moorish arches, hand-painted ceilings,
Italian-marble floors, and open-air courtyard with fountains welcome
leisure and business travelers. Built in l926, the 25-acre hotel was
declared a national historic landmark in l996.
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| Chicago International
Exposition |
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The Tower of Jewels, the
great Beaux-Arts centerpiece of
the Chicago International Exposition, was a huge Giralda Tower composed of
ascending Choragic monuments.
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| Miami's landmark Freedom
Tower 1925 |
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Cleveland Terminal
Tower - 1930
Graham, Anderson, Probst &
White |
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The Terminal Tower is the “grande dame” of Cleveland
skyscrapers and the most significant landmark of downtown Cleveland.
When it was
built as part of the Van Sweringen brothers’ Union Terminal station, it
was the tallest building outside of New York City until 1967, when
Boston’s Prudential Center was built. The related earthmoving required
for the Union Terminal complex was the second largest excavation in
history after the Panama Canal.
Terminal
Tower remains the second tallest building in Cleveland and Ohio. Click here
to go to Cleveland State University Library’s “Cleveland Union
Terminal” collection, an exhaustive resource detailing the construction
and history of the Union Terminal complex.
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Wrigley Building Graham, Anderson, Probst &
White
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The architectural shape of the Wrigley Building is
patterned after the Seville Cathedral’s Giralda Tower in Spain. However,
the ornamental design of the building is based on an American adaptation
of French Renaissance style. Mr. Charles Beersman, chief designer for the
building’s architects, Graham, Anderson, Probst and White, used his
talent and imagination to combine the two concepts.
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Ferry Building San Francisco
A. Page Brown 1892 |
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From the Tower of Jewels we turned our attention to those
other towers, the four so charming in design and in proportion,
Renaissance in feeling, their simplicity seeming all the more graceful on
account of the contrast with the other tower's over-ornamentation. "I
wonder what the world would have done without the Giralda Tower in
Seville? It has inspired many of the most beautiful towers in the world.
It helped to inspire McKim, Mead and White when they built the Madison
Square Tower, and the Madison Square Tower might be described as a
relative of our own Ferry Tower, which is decidedly one of the best pieces
of architecture in San Francisco. And it's plain enough that these four
towers and the Ferry Tower are related. The top of the four towers, by the
way, has a history. It comes from the Choragic Monument of Lysicrates, the
little temple in Athens that was built by one of the successful
chorus-leaders in the competitive choral dances of the Greeks, who
happened to be a man of wealth. Afterward, when a chorus-leader won a
prize, which consisted of a tripod, it was shown to the people on that
monument."
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the original Giralda
tower
These American towers were all based on
the Cathedral at Seville.
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The Cathedral of Seville was built in the 15th and
16th century in Gothic style on the grounds of the former major Arab
mosque. It is the largest place of worship in Spain, and the third largest
cathedral in the Christian world.
Enter the building from Alemanes street through the Puerta del Perdón
into the Patio
de los Naranjos. You will find there a PILA of the 5th century BC.
Then climb up to the Giralda tower, which was the minaret of the
12th century Moslem mosque. Its Christian bell fry was added by Hernán
Ruiz in 1568. From there you can oversee large parts of Seville:
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The "Giralda Tower" was
originally a "Minaret", part of the Moorish
Mosque that preceded the Cathedral. In 1248 the Minaret was considered a
marvel even to Fernando III who demanded its protection prior to him
conquering the city.
The construction of the Tower (Minaret) was ordered by the Almohad
ruler Yousouf Yacoub al-Mansour.
Construction was started on "La Giralda" in 1184 and lasted
for twelve years. When completed in 1196 the top of the tower didn't look
like it does today. It was used to call Moors to prayer and also as an
astronomical observatory. In 1198 four brightly polished copper spheres
were added by the Moors to the top of the tower. The reflecting sun light
from the balls was so brilliant the city made its presents known for
miles. When the copper spheres were destroyed by an earthquake in 1356
they were replaced (in 1400 AD) by Christian religious features (cross and
bell). The present bell room at the top was added to the tower in 1560,
with construction ending in 1568AD.
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Koutoubia Minaret in Morrocco |
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The "Giralda Tower"
was based on the
eight-hundred-year-old Koutoubia Minaret in Morrocco. At once after the
conquest of Marrakech, Almohades undertook the construction of a mosque on
the site of a Almohavide palace. The minaret was completed under the reign
of Yacoub el-Mansour (1184-1199) and was used as model for Giralda of
Seville then for the Hassan Tower of Rabat..
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From the
"Square of the Dead" DJemaa El-Fna Square, one can already see
the city's landmark, the minaret of the venerable Koutoubia Mosque. It was
named after the souk el koutoubiyyin,
the bazaar of the book-traders, which is nearby. It might well be noted
that this market originated in the 12th century, a long period during
which a Christian European would have been hard-pressed to write the word
book. The hall-type mosque has 17 aisles and 112 columns covering a total
floor area of 5400 sq.m (58,000 sq. ft) and is thus among the largest of
its kind - 25,000 faithful can say their prayers within it. At the end of
the prayer hall is an ornately carved minbar (pulpit), which is supposed
to be a remnant of the Almoravid mosque
destroyed by the Almohad builders of the present edifice. The pulpit is
said to have come from Cordoba; its donor is believed to have been the
Almoravid sultan Ali ben Youssef (1107-1143).
The square minaret, which wasn't completed until the reign of Yacoub el
Mansour (1184-1199),
was the direct model for the Giralda in Sevilla and the Hassan Tower in
Rabat. It is considered the ultimate structure of its kind. The tower is
69 m (221 ft) in height, its lateral length 12,8 m (41 ft). Six rooms one
above the other, constitute the interior; leading around them is a ramp,
by way of which the muezzin could ride up to the balcony. The tower is
adorned with four copper globes. According to legend, they were originally
made of pure gold, and there were once supposed to have been only three.
The fourth was donated by the wife of Yacoub el Mansour as compensation
for her failure to keep the fast for one day during the month of Ramadan.
She had her golden jewelry melted down, to fashion the fourth globe. Note-
the Giralda Tower incorporates the four globes at the four corners of the
main (lower) tower, as opposed to the stacked globes of the Koutoubia Minaret. |
Giralda Towers
in Russia
Interestingly, the Giralda Tower design
was adopted by eighteenth century Russian church designers. |
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A Russian Orthodox church in Sofia, Bulgaria,
a church at the Kremlin, Moscow |
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Another church at the Kremlin, behind Lenin's
mausoleum. |
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The Hagia Sophia mosque in Istanbul. Showing
the traditional configuration of minarets at the four corners. Also
reminiscent of the Giralda Tower corners.
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Stalinist architecture was based almost exclusively on
the Giralda Tower, via traditional Russian church design and the Municipal
building in New York. See the page Stalinist
Architecture for a full discussion. |
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Stalinist government building in Sofia, Bulgaria.
Interestingly the Giralda Tower is used as was used on the Russian
Orthodox church two centuries previously. Both repesented Russian Imperial
power- one religious, one ideological. |
The Giralda Tower uses a combination of
the Koutoubia Minaret with the classical Greek Choragic monument; |
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In the Plaka within a small square is erected a choragic monument in the
form of a small circular temple called, you guessed it: the Monument of
Lysicrates (334 BC.). It was erected to commemorate the Greater Dionysis
series of plays and was one of many that used to line the street of
Tripods now called Tripodon St.
What the heck is a choragic monument you may ask and do I
care?
It means dance as in choreography, 2 Greek words which
mean 'dance-write' or to design a dance.
What is know for sure is that its base is 13' high and 10' wide and
made of stone from Poros Island and crowned with Hymettos marble instead
of Pendellic. The monument its self is 21' high and 9' wide and is a
monoptere rotunda of pendellic marble this time.
What's famous about this monument is it is the earliest use of
Corinthian columns know and built in the 4th century BC. There is an
inscription in ancient Greek still readable today that says:
"Lysicrates, son of Lysitheos, from
Kikineus, was a choragus; the
Acamantide tribe won the prize of the chorus of boys; Theon was a flute
player; Lysiades, the Athenian was the teacher of the chorus; Evainetos
was the Archon"
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Examples of earlier American buildings
incorporating the choragic monument, without the tower.
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360 North Michigan Avenue Building
Formerly known as the London Guarantee Building
Located at the southwest corner of Michigan Avenue and Wacker Drive
Chicago
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Address: 360 N. Michigan Ave.
Year Built: 1922-23
Architect: Alfred S. Alschuler
Date Designated a Chicago Landmark:
April 16, 1996
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One of the city's few and best examples of the Beaux Arts-style Classical
Revival applied to the design of a tall office building. It is one of
four structures that were constructed around the Michigan
Avenue Bridge during the 1920s, a cluster of buildings that has helped
define one of Chicago's most dramatic and important urban spaces. The
other three buildings are 333
N. Michigan, Tribune
Tower, and the Wrigley Building. Built by a British insurance company
to be its American headquarters, the building's irregular-shaped site was
part of the land once occupied by Fort
Dearborn (1803-56).
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Tennessee State Capitol
William Strickland; completed by Francis Strickland, the architect's son,
after his death in 1854
1844-1859
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