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New York Architecture
Images-New York Architects SHIGERU
BAN |
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Shigeru Ban
Architects
5-2-4 Matsubara, Setagaya-ku
Tokyo 156-0043
Phone +81-3-3324 6760
Fax +81-3-3324 6789 |
The Nomadic Museum
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Pavilion, Hanover Expo 2000 |
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Top:
Curtain Wall House, 1995 |
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Top:
Paper Church, 1995 |
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Bottom:
Paper Art Museum, 2002 |
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Bottom:
Gymnasium, 2002 |
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EXPO
2000 HANNOVER |
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Paper House,
Lake Yamanashi, Japan 1995 |
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Design
Philosophy
SBA's consistent design philosophy is to create uniquely free and open
space with concrete rationality of structure and construction method. It
seeks to challenge the existing construction method by using easily
obtainable off-the-shelf materials in innovative and unprecedented
structural/construction systems. To achieve this goal, SBA dares to go
through an empirical trial (-and error) process to consistently
incorporate newly discovered technology throughout the design process into
its design. SBA has worked towards developing conceptual clarity through
the redefinition of aesthetics, space, materials and structure.
SBA's more underlying interest and passion is the development of the paper
tube as the main building structure. The case study houses named PTS
Series are examples of paper tube constructions. There is a series of
experimental houses based on the idea of using standardized
non-architectural products, namely paper tubes, in an entirely different
context. One of the most successful projects of the paper tube
architecture is the Japan Pavilion for Hannover Expo 2000. It is a
comprehensive compilation of SBA?s PTS technology. While achieving the
freedom of the space, the PTS technology reaches the goal to establish a
completely new concept of recycling building materials entirely after the
building purpose is served.
Publications
2001 "Shigeru Ban" Princeton Architectural Press, USA
1999 "SHIGERU BAN, Projects in Process", TOTO Shuppan, Japan
1998 "Paper Tube Architecture from Rwanda to Kobe", Chikuma
shobo Publishing Co., ltd., Japan
1998 "JA30, SHIGERU BAN", The Japan Architect, Japan
1997 "GG portfolio, Shigeru Ban", Editorial Gustavo Gili, S.A.,
Spain
Awards
2002 World Architecture Awards 2002: Best House in the World, Naked House
2001 World Architecture Awards 2001: Europe Category, Public/Cultural
Category for the Japan Pavilion
2001 Gengo Matsui Award for the Japan Pavilion
2001 Best Designer of the year 2001, Interior(Magazine), U.S.A
2001 The Prize of Japan Society for Finishing Technology, for GC Osaka
Building
2000 Akademie der Kunste, Berlin Art Award, Germany
1999 Architecture for Humanity, U.S.A. for Paper Loghouse
1999 ar+d, Architectural Review, UK for Paper Church
1998 Tohoku Prize, Architectural Institute of Japan for Tazawako Station
1997 The JIA Prize for the best young architect of the year
1995 Mainichi Design Prize
Competitions
2003 the finalist of the New York WTC Ground Zero Competition
2002 the finalist of Rietberg Museum Extension, Zurich
1996 Ecoplice House Competition, IAA (International Architects Academy)
Important
Projects
2002 Plywood Structure 04 Gymnasium, Odate, Akita
2002 Forest Park Pavilion Prototype-Rice University Art Gallery, Houston,
USA
2000 PAM-A, Mishima, Shizuoka
2000 Naked House, Kawagoe
2000 Expo 2000 Hannover Japan Pavilion - Paper Tube Structure-13, Germany
1999 PaperTube shelters for refugees in Rwanda - Paper Tube Structure-10
1997 Wall-less-House, Karuizawa, Nagano
1995 2/5 House, Nishinomiya, Hyogo
1995 Paper Church - Paper Tube Structure -08, Kobe, Hyogo
1995 Paper Log House - Paper Tube Structure -07, Kobe, Hyogo
1995 Curtain Wall House, Tokyo
1994 Issey Miyake Gallery - Paper Tube Structure -06, Tokyo
1991 Library of a poet - Paper Tube Structure -04, Zushi, Kanagawa
1990Odawara Pavilion - Paper Tube Structure -02
1987Villa K, Tateshina, Nagano
1986Villa TCG, Tateshina, Nagano
1986"Judith Turner? Exhibition design, Axis Gallery, Tokyo
1986"Alvar Aalto? Exhibition design, Axis Gallery, Tokyo
1986"Emilio Ambasz? Exhibition design, Museum of Contemporary Art, La
Jolla, CA
1985"Emilio Ambasz? Exhibition design, Axis Gallery, Tokyo
Current
Projects Rolling Shutter House
Shutter House for a Photographer
The houses at Sagaponac, Long-Island, USA
Multihouses, Mulhouse, France
Forest park Pavilion, St. Louis, USA
Hanegi Annex
Schwartz Residence, Connecticut, USA
CICB II Institute Museum, Pouilly en Auxois, France
CICB I Boat House, Pouilly en Auxois, France
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Shigeru Ban at Gallery Ma
by Monty DiPietro
Shigeru Ban makes it look easy. Winner,
less than two years ago, of the Japan Institute of Architecture’s
"Best Young Architect of the Year" award, Ban has a knack for
putting together structures whose design elements, while certainly not
simple, are easy to grasp, even for the layman. One reason for this may
lie in Ban’s tendency to "pursue architecture with an invisible
structure," a result the architect achieves, paradoxically, by
concealing almost nothing in his buildings. But more than form, it is the
stuff his new structures are made of that cause Ban’s work to speak so
clearly to our understanding – for the 41 year-old architect is building
buildings out of paper.
An initial reaction that included at least
a hint of incredulity would be normal. Looking at photographs of some of
Ban’s cardboard-tube houses, one may suspect that the photos have been
doctored. Paper and cardboard for the models, steel and cement for the
actual structures, right?
Wrong. And stepping out onto the rear
terrace of Gallery Ma to regard the cardboard-tube canopy erected overhead
is all the empirical evidence one needs to know, pure and simple, that
Ban’s paper buildings are refreshingly real.
One of Tokyo’s premiere architectural
showcases, Gallery Ma in Minato Ward is now presenting "Projects in
Process," a show of drawings, models, and documentation covering
Ban’s work over the last several years and focusing on an ongoing
collaboration with Frei Otto for the Japanese pavilion at Expo 2000 in
Hannover, Germany.
A highlight of the show is coverage of the
shelters Ban designed while he was a consultant to the United Nations High
Commissioner for Refugees (UNHCR). Composed of plastic tarpaulins
stretched over a cardboard-tube frame, the quick-construction structures
first appeared in Rwanda several years ago when UNHCR realized that their
original policy of sending a plastic sheet, instruction book and hatchet
was leading refugees to cut down too many trees. When alternative
materials were considered for the shelters’ frame, the prospect of
aluminum, for example, being sold-off by unscrupulous elements in the
distribution chain could not be discounted. Enter Ban’s cheap and
lightweight cardboard tubes. Ma has a full-scale refugee shelter installed
in their second level exhibition space which visitors can enter to watch a
video documenting the project.
But the star of the show has to be Ban’s
recyclable Hannover 2000 pavilion, of which there are several large models
and a fascinating collection of sketches, plans, and architect-engineer
correspondence. The structure’s truss roof is composed of cardboard
tubes covered by a membrane of treated paper, and rather resembles a
low-rise biological version of one of Buckmaster Fuller’s geodesic
domes. This is attributable to input from German architect Frei Otto,
whose life’s work studying membranes found in nature led to such
innovative structures as the West German pavilion at Montreal’s Expo
’67 and the Munich Olympic Stadium of 1972. While Otto’s input has
seen Ban’s work become much more involved, there is still the very
Japanese transparency that Ban strives for in his structures.
"I don’t think I’m a revolutionary
architect," explains Ban, "I am just using existing technology
and materials in a different way."
Be that as it may, as a veritable who’s
who of Tokyo art and architecture insiders circulate under the artist’s
10 meter high cardboard frame and paper-skin canopy, there is a certain
buzz in the air that compliments the childlike excitement in Ban’s eyes.
There is a sense here that Ban has arrived, and this is because
"Projects in Process" is one of the most impressive exhibitions
in Tokyo right now. The bonus of fully-bilingual and easy-to-understand
attendant texts and an excellent catalogue make the show a wonderful
introduction – even for those who have never visited an architectural
exhibition in their lives – to the work of one of the most fascinating
architects in Japan today.
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nyc-architecture.com
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